Boston, like many other places, has been lacking for visits from Mark Linkous and the touring version of his Sparklehorse. It's not as if he hits the road frequently, and aside from an opening slot for the Flaming Lips here in 2003, his last proper Boston stop was almost eight years ago. That was a bit before I fell in love with 2001's "It's A Wonderful Life", so the fairly deep connection I made with that album was confined to my headphones. In a way, that made the songs more personal; not sharing the experience with a crowd or hearing them taken beyond their studio context kept them pure and untarnished. After I'd overloaded my system with that brilliant disc, I spent a lot of quality time with his two previous albums, but neither would dig as deep as that first exposure did.
The six-year wait for a fourth disc was a long one; I surfed for news updates and checked his cryptic website often, finally getting whispers early last year that "Dreamt For Light Years in the Belly of a Mountain" was on its way. It arrived in September, and proved itself a worthy follow-up, with a wealth of good tracks, and showing a bit of songwriting growth while still using that unique mix of hi-fi/lo-fi studio wizardry Linkous is known for. There's an undeniable "Sparklehorse sound", a warm blanket that sits on top of his layered recordings that can't be attributed solely to background crackles or his slightly-distorted vocal tracks.
He brought that distorted microphone, though not a crackling backing track, with him when he and his backing band came to Boston last week as part of the long-awaited "Dreamt..." support tour. The release of that autumnal album triggered a veritable deluge of Sparklehorse shows, and apart from a December holiday break, they've been on the road ever since. The tour actually finished up officially last night in Atlanta, and with no other dates on the books, who knows when we'll see the man and his band again. Can't possibly be as long of a wait as it was last time, though, can it?
If it is, we'll have this live set to keep us slightly satiated. And despite Mark's struggle with a case of the flu, it was a beauty. The gorgeous softer numbers (especially "Sad & Beautiful World", "Gold Days", & "Eyepennies") fared a bit better than the ones that rocked out, I thought. I can understand the desire to turn parts of the live show up a notch, to bring some energy to the stage for contrast, but there were times when the drummer drowned out the rest of the band. It was as if the tasteful restraint he showed during the somber songs kept him bottled up, so he really let loose during the louder ones. His wide bandana and high-stick action moves (Adam called it "slow-motion swimming") almost seemed like they belonged in a different band, but there's no denying the talent he brought to the table, and the same goes for the other musicians he shared the stage with (check out their bios here).
Here are the live mp3s, with some accompanying links and photos. Fans will note that only two songs came from the latest album, and most can be found on the debut, "Vivadixiesubmarinetransmissionplot", so the set leaned heavily towards his early material. Even the two songs that were cut from the setlist ("Weird Sisters" and "Homecoming Queen") are from that first disc, so it could have leaned even more in that direction. As I mentioned, Mark said he was fighting the flu, which may explain why those two songs were cut, but you'd never notice listening to his performance. And I'm not going to complain about the set's brevity, though... any Sparklehorse is much-appreciated Sparklehorse.
Check out an old video (.mov file) Mark made to promote the sophomore "Good Morning Spider" album. The dialog is read by Stereolab vocalist Laetitia Sadler.
New York Public Radio WNYC just had Sparklehorse in the studio for their Soundcheck program to chat and play a couple songs. Stream the performance and interview, or download the entire appearance as an Mp3 (8.7 MB). Songs performed are "Painbirds" and "Spirit Ditch".
A couple more of my own pictures from the Boston show can be found here.
As always, you can listen to all 'Nac-hosted tracks on the Hype Machine.
A notable aside: At our show, a posted sign in the Paradise boldly stated: "Buy A CD, Meet Mark!", and they weren't kidding. Anyone who picked up a copy of "Dreamt For Light Years..." at the merch table got a wristband that allowed them to hang out after the show and chat with the ailing Mr. Linkous (did this happen anywhere else?). Now, having bought the thing on its release date, and no longer being much of an autograph-hound, I skipped the chance... but friends said he did appear and mingled with the crowd. As cool as it is that he did that, it also strikes me as a little on the odd side. Well, it's certainly a way to sell more discs (wouldn't most fans who really want to meet him already own the album?), but feels a little "un-Sparklehorse-ish" to me. Then again, the guy's got a mild mountain-mullet that flies behind him thanks to an on-stage fan, and has a drummer named "Johnny Hott", so I may not have a clue what "Sparklehorse-ish" is, beyond the recorded context. Y'know, I might as well have met him, 'cuz I woke up the next morning with the flu anyway. At least I could have claimed I had the "Sparklehorse strain".
postscript-stylee... If anyone has any issues whatsoever with this live set being made available, just say the word (contact info in the 'nac faq). I am but a fan trying to share and spread the word. Recorded with a Sony ECM-719 mic and a Sony MZ-RH10 minidisc, converted to .wav and then edited to 192kbps mp3s. Tracks are made available for a limited time, and are not reposted once removed.
