Tuesday Afternoon: Watch MOGWAI’s new concert film here on the ‘Nac (@ 3pm EST)

Posted on July 24, 2010 at 9:20 pm | No Comments

This Tuesday, July 27th, I’m pretty damn proud to be one of the few-dozen worldwide music sites hosting the live-streamed premiere of the new concert film from Scottish instrumental post-rock pioneers MOGWAI. Been a fan of the lads since the very first date of their initial U.S. tour back in ’97, opening for Pavement in Burlington, Vermont at the much-missed Club Toast. Blew my mind then, still blow me away to this day… my love is unwavering. I never miss a chance to see them play, and have been waiting to see “BURNING” (directed by Vincent Moon & Nathanael Le Scouarnac, the visual minds behind the top-notch “Take Away Shows” at La Blogotheque) since I first heard whisper of it, and this Tuesday, the waiting ends. Here are the details…

On Tuesday morning, I’ll throw up a new post that will contain an embedded UStream window, and it’s there that you’ll be able to view the entire film starting at 3pm Eastern (12pm on the left coast). There will also be an embedded chat window (y’know, for realtime “OMG! This song rules!” sharing), which will be used to host a post-screening virtual Q&A with Mogwai’s Stuart Braithwaite and co-director Vincent Moon.

While I’m certainly looking forward to watching the live-stream, it won’t stop me from catching the film on the big screen when it hits the Brattle Theatre in Cambridge on August 26th (tickets here). Check back with the ‘Nac as that date gets closer for screening ticket and DVD giveaways, as well as a chance to win Mogwai’s “Special Moves”, the live album that’s being released alongside the film.

Here’s the full list of North American “Burning” screenings happening over the next couple months…

Aug. 24th – Brooklyn, NY @ Music Hall of Williamsburg

Aug. 24th – Vancouver, BC @ Pacific Cinematheque

Aug. 26th – Lawrence, KS @ Liberty Hall

Aug. 28th – Long Beach, CA @ Art Theatre of Long Beach
Aug. 28th – Cambridge, MA @ Brattle Theatre

Sept. 2nd – Pontiac, MI @ The Crofoot

Sept. 4th – San Francisco @ Roxie Theater

Sept. 10th- Portland, OR @ Bagdad Theater

Sept. 12th – Los Angeles @ Echoplex

Sept. 14th – Toronto, ON @ The Drake Underground (2 showings)

Sept. 23th – Denver, CO @ Bluebird Theater

To download a free live version of “New Paths to Helicon Pt. 1” from the vinyl version of “Special Moves”, head here. You can pre-order the live album over here, in a variety of packages (including a deluxe bundle with the triple LP, CD + DVD, poster, patch, + more). I’ll leave you with a few “Burning” teaser videos. Keep an eye out for me in the chat room on Tuesday afternoon…

Download: Kristin Hersh with TW Walsh – “Around Dusk” (MP3 / FLAC)

Posted on July 19, 2010 at 8:21 am | No Comments

2010 is a ridiculously rewarding time to be a Kristin Hersh fan. Having eschewed the standard record/release/tour/rinse/repeat cycle that most label-bound artists stick to, she’s turned to her loyal followers, both old and new, to directly fund her ongoing projects, and to share in their progression. This year, that investment is paying off in spades: A brand new full-length, “Crooked”, released digitally as part of a gorgeous hardcover book from publisher HarperCollins in the UK. And another far more ambitious book on the horizon: An auto-biography, “Rat Girl: A Memoir” (that’s the U.S. title, out next month – it’ll be “Paradoxical Undressing” elsewhere).

And that’s just her scheduled, official solo output. There’s also a long-awaited Throwing Muses album in the works, which we’re getting a preview of in the form of free demo downloads on the Muses’ CASHmusic page. Her rock trio 50 Foot Wave hit the studio earlier this year, so we should be hearing the results of those sessions as well. All the while, Kristin keeps playing shows (a 6-date UK/Irish tour started over the weekend – see below), raising her boys, and offering up tons of bonus material on the exclusive pages that her subscribers (her “Strange Angels”) get access to. Even for the most ardent fan, it can be tough keeping track of all this stuff. That is most definitely not a complaint.

That embarrassment of online bonus riches includes not one, but two new digital EPs connected to the release of the “Crooked” album/book: “Crooked Beginnings”, comprised of newly remixed and remastered non-disc demos; and “Crooked Remainders”, four songs that didn’t make the final cut of the album.

It’s “Crooked Beginnings” that jumps out, due not just to a set of solid songs that could easily have comprised a physically-released-and-sold EP that would make any artist proud, but due to the involvement of audio engineer & ace musician TW Walsh. I’ve been a fan of TW’s since his initial involvement with Pedro The Lion, even moreso after digging into his own solo work (which most recently took the form of Boston band The Soft Drugs), and am increasingly impressed with his engineering work as he mixes and masters a whole bunch of records I dig (including pal David Bazan‘s “Curse Your Branches” last year).

So a KH/TW team-up is right up my alley, and the results measure up to the associated anticipation. Tim’s aural changes add clarity and depth, giving the songs more definition and oomph than the original demos (which can be found on the downloadable “Speedbath” collection), and then there’s this: He applied his drumming skills to my favorite song on the EP, “Around Dusk“. I loved the original demo, was a bit disappointed to learn it wouldn’t make the “Crooked” cut, so to hear it in this form is a real gift. TW offers some comments on the track…

“My first attempt was to emulate the feel of the [original version’s] drum loop, but it didn’t quite work within the track. After trying several options, I settled on a very simple pattern without any fills or embellishments. It has a kind of hypnotic vibe. I overdubbed shaker and tambourine to fill out a little more space.”

And on mixing/mastering the “Crooked Beginnings” EP as a whole, TW says…

“As for the mixing/mastering, I received “stems” for all of the songs. Stems are subgroups of tracks. For example, if there are 4 electric guitars on a song, these have been sub-mixed and reduced to 2 tracks. Vocals have probably already been compressed and received reverb treatment. So, the song has already been “mixed” to a certain extent, but there is still room for refinement. What I tried to do was to give each instrument its own space in the mix and to fine-tune the dynamics of each track so the music breathed, but the mixes still had some punch. Hopefully I accomplished this goal, and Kristin feels that these recordings are represented well. The source tracks were solid and felt more like finished songs than a collection of demos. Well done, Kristin. Cheers!”

Couldn’t agree more with that last bit. And thanks to Kristin and the CASHmusic crew, I’m honored to offer up this new version to any and all non-Strange Angels (Normal Angels?) in both MP3 and higher-quality FLAC form, as well as a stream of the entire 5-song “Crooked Beginnings” EP. To see just what kind of magic TW worked, I’m also sharing the original demo version of “Around Dusk“…

[MP3]: Kristin Hersh – “Around Dusk” (with TW Walsh)

[FLAC]: Kristin Hersh – “Around Dusk” (with TW Walsh)

[MP3]: Kristin Hersh – “Around Dusk” (original “Speedbath” demo)