The Race Is On Again
Posted on August 18, 2006 at 5:00 pm | No Comments
So I’m sitting here streaming the soon-to-be released Yo La Tengo disc, “I Am Not Afraid Of You and I Will Beat Your Ass“, thanks to the “Beat Your Ass Season Pass” pre-order promo being offered at Insound. Only took a day or so to get the registration email after I ordered up, and in addition to this early stream, they’re granting access to a digital booklet on August 25th (“An interactive QuickTime booklet with album art, photos, liner notes and extra doo-dads.”), an exclusive mp3 on September 5th, and a second one on the album’s release date of September 12th. So worth it.
Fellow YLT fans have likely found Matador’s preview tracks…
Mp3: Yo La Tengo – ‘Beanbag Chair‘
Mp3: Yo La Tengo – ‘Pass the Hatchet, I Think I’m Goodkind‘
…but for another taste, head to YouTube for a hi-quality live performance of the album’s fourth song…
Another preview stream occupying tons of my headphone-time: Eric Bachmann’s out-next-Tuesday solo record, ‘To The Races‘, which can be heard right now thanks to Aversion. I don’t like to throw the word ‘masterpiece’ around too much, but hell, this one’s a solid candidate. As a longtime Archers fan who first fell for Crooked Fingers with the ltd. edition ‘Red Devil Dawn demos’ disc, the stripped-down Bachmann isn’t too unfamiliar. ‘To The Races’ takes the weary troubador vibe of that rough demos disc, adds the better production and some road-earned songwriting depth to become perhaps his best work yet. I’ll be listening to this for months to come.
Pre-order the album here, and starting today, the first 200 people to do so get autographed copies. And for vinyl junkies, the newsletter says that “a limited pressing of 1000 hand-numbered, vinyl LPs will be available online, at shows, and in a few cool record stores across the country.”
For a recent Bachmann interview, head over here to Aversion, and keep an eye on the brand new EricBachmann.com, which should be fully functional sometime soon. Until then, hit up the Saddle Creek site for tour dates that he’ll be sharing with Richard Buckner, including two area shows at Club Passim in Harvard Square, Cambridge on September 19th. Already got my tickets to the early one.
Since I mentioned Richard Buckner, Toolshed Media is hosting the first mp3 from his upcoming 8th disc, ‘Meadows‘, which arrives on September 12th. The track is a good ‘un…
Unlike Eric Bachmann, who foregoes a full band for solo songs on his latest, Buckner has recruited some great players to back him on ‘Meadows’: Guitarist Doug Gillard (Guided By Voices, Cobre Verde, solo), drummers Kevin March (GBV, Those Bastard Souls, Dambuilders) and Steven Goulding (Mekons, Gram Parker, Waco Brothers), along with producer JD Foster.
On Robyn Hitchcock’s next disc, “Ol�! Tarantula” which will be out on October 3rd, he’s also enlisted some talented guys. The trio calling themselves ‘the Venus 3’ is actually guitarist Peter Buck, drummer Bill Rieflin, and bass player Scott McCaughey, aka 3/4ths of the Minus 5 and half of R.E.M., aka a former Hindu Love God, an ex-Young Fresh Fellow, and a guy who used to play in a bunch of amazing industrial bands. Doesn’t stop there, though: the disc was produced by former Fastback Kurt Bloch and has guest appearances from Morris Windsor (Soft Boys/Egyptians), Sean Nelson (Harvey Danger), Chris Ballew (Presidents of The United States of America), Kimberly Rew (Soft Boys) and Ian McLagan (The Faces). Nice.
Pre-orders get a ltd. edition bonus cd with a couple live tracks (“A Man’s Gotta Know His Limitations, Briggs” and “Underground Sun“), and an exclusive, unreleased studio track (“Embryo Twirl“). The band will hit Japan and Australia in October, and hopefully the U.S. shortly after. Current dates listed here.
Check out an interview with Robyn from early this year here, and grab the first single from “Ol�! Tarantula” at the Yep Roc site…
Mp3: Robyn Hitchcock & The Venus 3 – ‘Adventure Rocket Ship‘
I’ve been listening to the remastered and expanded Sebadoh III disc a lot over the past couple weeks, and while I never quite forgot how good it was, I still feel like I’m rediscovering it. I’m not only psyched about the improved sound and all the extra tracks, but I long ago lost the original’s jewel case and artwork, so I can finally toss that old disc and its generic sleeve.
By the way, the official Sebadoh site has some old live shows shared up (Louisville 1999, Seattle 1993, Dallas 1999, and Zurich 1999). The sound quality on a couple of those leaves a bit to be desired, but they’re all worth a spot check at the least.
If you’re a Midlake fan and missed their live webcast from the Paradiso in Amsterdam a couple days ago, you can still keep an eye on the Fabchannel site under the ‘Pending’ section. As soon as they get clearance (and hopefully they will), audio and video of the show will be officially archived and posted.
Gonna end this quick one by requesting a small favor: I need ya to take part in some very minor objectification… but hey, it’s for a friend! My west coast pal Micki Krimmel is one of eight ladies up for something called “Web Two Point Ooh” over at Valleywag (and yes, there’s a men’s round, too). Now, I don’t know the other nominees personally, but Micki has gotta be the best choice. ‘Cuz Micki rules. So keep an eye here for the next round and vote yer heart out.
[Live MP3s] Acid House Kings in Cambridge, MA
Posted on August 15, 2006 at 2:49 pm | No Comments
The companion post to last week’s live set from The Legends, here’s their label and tourmates, Acid House Kings. I was woefully unaware AHK’s 15-year history before the show was announced, but familiarized myself a bit with their self-described Swedish guitar pop before they got to town. Their brand of pop is a bit more pure than The Legends, a little on the lighter side, with guy/girl vocals and enough songs of love to give you a couple new cavities (just look at the titles below). They’re damn infectious, moreso when their charming selves are right in front of you, and I’m not exaggerating when I say my cheeks ached from smiling throughout their set.
Here it is…
Live at TT the Bears
Cambridge, MA
Monday, July 10th, 2006
[Download the whole set in one zip file]
01. First Time
02. Yes, You Love Me
03. The Heart Is A Stone
04. Sunday Morning
05. That’s Because You Drive Me
06. Keep Your Love
07. Tonight Is Forever
08. This Love Is All We Need
09. Do What You Wanna Do
10. Say Yes If You Love Me
encore…
11. London School Of Economics
12. We Are The Acid House Kings
13. banter
14. Summer Nights
A few of the songs they played can be found on their latest disc, last year’s “Sing Along With The Acid House Kings“, others come from 2002’s “Mondays Are Like Tuesdays and Tuesdays Are Like Wednesdays“, and even as far back as 1997’s “Advantage Acid House Kings“. The TTs crowd was enamored enough to force them into one more encore song than they planned on: an apparently long-ago-learned cover of “Summer Nights” from the Grease soundtrack. What they missed in the lyrics they made up for with enthusiasm, and the crowd helped fill in some gaps. Like I said, I couldn’t help grinning and I wasn’t alone.
You’ll notice comparing the photos above to those from The Legends post that there’s more than a little member-sharing going on within the touring versions of the two bands. In fact, four out of five Legends became four of the six Acid House Kings on stage, with the two front-people (singer Julia Lannerheim and singer/guitarist Niklas Angergard) exclusive to AHK’s studio version along with Legends mastermind Johan Angergard (yes, they’re brothers) on second guitar. At least I think I’ve got that straight. So it makes even more sense that the two bands would team up for dates, including those seven U.S. shows they played last month. Be nice to see them return in the not-so-distant future and hit up some cities that missed out.
Some Acid House links…
the fine print… If anyone has any issue whatsoever with this live set being made available, just say the word (email link at bottom left). Recorded with a Sony ECM-719 mic and a Sony MZ-RH10 minidisc, converted to .wav and then edited to 192kbps mp3s. Mp3s are made available for a limited time, and are not reposted once removed.