Comic-Con Come & Gone
Posted on July 25, 2006 at 9:40 pm | No Comments
Unless you’re a complete pop-culture neophyte, you know that the 2006 San Diego Comic-Con finished up a couple days ago, and even though I was totally on the wrong coast for it, I was there in geek-spirit. In honor of that ever-growing entertainment love-fest, I offer you a little diversion as I write about one of my non-music obsessions. Read this whole thing, and you might just get a prize. No, really…
Keeping tabs on this year’s Comic-Con was easier then ever, with regular updates at Newsarama, Between the Panels, Bags & Boards, Heidi MacDonald’s The Beat, the Onion’s A.V. Club, and on-site updates from my internet crush, Whitney at Pop Candy. My RSS reader was refreshing non-stop.
The A.V. Club offered up four reports (1,2,3,4), The Beat has a bunch of great video posts (divx-style), including one with James Kochalka (who also got a plug at Pop Candy). PC’s Ms. Matheson, who usually takes weekends off, did a bunch of overtime with panel coverage and random news bits, as did BtP’s Jevon Phillips. All well worth a read through, especially Whitney’s pre-Con primer post, ‘Comics For People Who Don’t Read Comics‘. If that sounds like you, dive in.
It’s a fine time to be a Mike Mignola fan, for a few reasons: Not only do we still get a regular supply of new Hellboy-related comics (the latest BPRD collection, ‘The Black Flame‘ is excellent), but there’s a wealth of other Mignola media available…
The pilot episode for the animated adaptation of ‘The Amazing Screw-On Head‘ is available for free online viewing (it debuts on the Sci-Fi Channel this Thursday, for the bandwidth-challenged). I loved the thing, and hope we get more than just a pilot, which perfectly captured the humor, action, and art-style of the printed work. Great dialogue that often got me laughing out loud in front of my laptop, with a solid voice cast that includes including Paul Giamatti, David Hyde Pierce, Molly Shannon, and personal-fave Patton Oswalt (who must be geeking out to be involved, unabashed comic nrrd that he is). Check out a Newsarama interview with animated series creator Brian Fuller (Wonderfalls, Dead Like Me) right here, and if you watch the episode, make sure you fill out this sci-fi.com survey. But only if you liked it, of course. Naysayers keep quiet!
As much as I dug that pilot, I’m even more excited about the upcoming Hellboy animated film, ‘Sword of Storms‘, which appears on DVD in October (and is not to be confused with GRRM’s ace fantasy novel ‘A Storm of Swords‘). I’ve been following writer/director/producer Tad Stones’ blog since it appeared last November, and while he’s been offering up some very cool images and insights into the creation process, the mother of all previews came this past weekend at Comic-Con. Check out an entire hour-long panel, with Tad, Hellboy creator Mignola, producer Guillermo Del Toro, screenplay writer Matt Wayne, and character designer Sean “Cheeks” Galloway. The panel includes a 6-minute clip from ‘Sword of Storms‘, which you can grab on its own over here. While the translation of Mignola’s signature drawing-style isn’t anywhere near direct as it appears with Screw-On Head, they smartly stuck with nearly the same cast from Del Toro’s 2004 live action film for the voicework (including Ron Perlman, Selma Blair, and John Hurt). The excerpt smartly shows off a couple of the required storytelling staples: Hellboy smacking around some big-uglies with his stony right hand while saying ‘Awww… Crap’? Check. Liz nearly losing control after reluctantly roasting up some of the undead? Roger that. Looking forward to seeing what else they give us in just a couple months.
Assuming that the film, and it’s January ’07 follow-up ‘Blood and Iron‘, do well enough, we’ll be getting more direct-to-DVD Hellboy down the road. Considering that a sequel to Del Toro’s live-action film is currently up in the air, let’s hope those DVDs sell mightily.
Check out both an interview with Tad Stones and a write-up of the panel over at Bags & Boards, and take a look at this nifty Mignola-illustrated promo-poster for Guillermo Del Toro’s next film, Pan’s Labyrinth. Quite excited for that one, I am.
Some of the more straightforward superheroes over at DC Comics are are also taking the direct-to-DVD route, with the announcement that one of my favorite stories from a couple years back, Darwyn Cooke’s ‘The New Frontier‘ will be getting the movie treatment. Alongside that we’ll see an animated version of the classic 1980’s Teen Titans tale, ‘The Judas Contract‘. Loved loved loved that story arc when I was a kid, and it’s nice to hear that original creators Marv Wolfman & George Perez will be involved in the adaptation. Also slated for release is a personally less-exciting Superman/Doomsday film. The best part? The whole project is being overseen by Bruce Timm. If you know who he is, you know why that’s good news.
A whole bunch of DC characters will also be appearing on TV screens, but those screens will have a gaming console attached to them. The release of the previously announced Justice League Heroes videogame (Xbox, PS2 and PSP) is getting closer, and the offical site has a couple of production blog posts up. A hands-on review was posted after E3, and more recently Justice League Unlimited writer Dwayne McDuffie was interviewed about his scripting work in the game. McDuffie’s involvement bodes very well for the storyline and character portrayals, and seeing what he comes up with is probably the main reason I’ll be picking this one up. Especially after the finale of the JLU animated series last spring.
While comics-to-screen adaptations are fairly commonplace, TV-to-comics projects are much less so… especially ones I actually care about. Suddenly, there are three books in the works that I’m curious to see…
Fans of Buffy the Vampire Slayer have probably heard that the show will live on in comics pages, as creator Joss Whedeon writes a six-issue series that many are calling ‘season eight’. Not sure if that’s the official title, but issue #1 arrives in October from Dark Horse, and you can get a look at some preview art over at EW’s PopWatch. A Buffy comic is hardly surprising… but a ‘My Name Is Earl‘ comic sure as hell is. In a ‘very pleasant surprise’ kind of way. It’s one of the best comedies on television, and the book is coming out on Oni Press, one of my fave imprints. It’s being written by one of the show’s writers, Hunter Covington, who is also the script coordinator and a big comics fans. My biggest hope: That the artists (including Dean Trippe, Steve Rolston and Dave Crosland) are able to capture Jason Lee’s hilarious facial expressions. And hey, if the comic gets super-huge… Crab Man action figure! Oh, to dream. Think this whole TV-to-comic thing can’t get any weirder? Oh, but it can! Oni is also bringing us… a Colbert Report comic? Yes. But not of the show itself, of course. Believe it or not, we’re actually getting graphical telling of Colbert’s fictional novel, ‘Stephen Colbert�s Alpha Squad 7: Lady Nocturne: A Tek Jansen Adventure‘. Look for Colbert to display it proudly on his studio’s bookshelf in spring of next year.
As they are every year, the 2006 Eisner Awards were announced and presented at Comic-Con, and while a couple of my faves nominees were denied (Zak Sally for a ‘Recidivist‘ story, Warren ‘I’ve never won one and never will’ Ellis for Desolation Jones, Fell, & Ocean), there were a bunch of other winners I very much agreed with…
Best Archival Collection – Comic Strips: The Complete Calvin & Hobbes, by Bill Watterson
Best Archival Collection – Comic Books: Absolute Watchmen, by Alan Moore and Dave Gibbons
Best Penciller/Inker: John Cassaday (for Astonishing X-Men & Planetary)
Best Cover Artist: James Jean (for Fables & Runaways)
Best Lettering: Todd Klein (especially on Desolation Jones, Promethea, Top Ten: The Forty-Niners, & Fables)
Best Graphic Album � New: Top Ten: The Forty-Niners, by Alan Moore & Gene Ha
Best Graphic Album � Reprint: Black Hole, by Charles Burns
Best Writer: Alan Moore (Promethea, Top Ten: The Forty-Niners)
Best Writer/Artist: Geof Darrow (Shaolin Cowboy)
Best Limited Series: Seven Soldiers, by Grant Morrison and various artists
Best New Series: All Star Superman, by Grant Morrison and Frank Quitely
Best Serialized Story: Fables �Return to the Homelands,� by Bill Willingham, Mark Buckingham, and Steve Leialoha
For a complete list of the 2006 Eisner Award winners, go here.
Speaking of Warren Ellis, I’m eagerly awaiting more details on the new half-hour TV series pilot that he’s been contracted to create and write for AMC. It’s been described as a “sf/entertainment-industry dramedy”. Whatever it is, I’m ready.
And something I’m not sure I’d be ready for: a possible Preacher series on HBO. Don’t get me wrong, if my favorite comic series ever gets visualized, HBO would be a fitting place for it, and it’d be nice to have something longer than the stalled movie adapatation. But I’m so close to the books that the whole idea makes me a tad nervous. We’ll see if it ever becomes more than a rumor, though.
An adaptation I’m more than happy to see: A drawn b&w version of Japanese writer Haruki Murakami short story ‘On Seeing the 100% Perfect Girl One Beautiful April Morning‘. I’m still in a Murakami mood, making my way through his entire bibliography (after a brief detour into Banana Yoshimoto). Just started in on ‘Sputnik Sweetheart‘.
Some of these are very cool, others are very not: Superheroes incorporated into works of fine art. Equals parts awe and shudder.
Suicide Girls offers up a little light reading to go with your emo-erotica: interviews with a couple of the best comics writers around. Greg Rucka chats about all sorts of stuff (including the fact that a ‘Whiteout’ movie movement should be happening soon) and Alan Moore talks about Lost Girls, his new fairy-tale sex story, and about the state of television. Nice to find out he’s a big fan of The Wire (season four soon!), even cooler to know how much he digs crime novelist George Pelecanos.
I mentioned the unabashed nerd-pride of Patton Oswalt above, and you need no further proof than the unaired Super-Nerds TV pilot over on YouTube. Oswalt plays a comic shop manager, fellow comedian (and comic writer) Brian Posehn plays an in-store hang-arounder, and Sarah Silverman stops in to play the “pretty girl who reads comics?!”. Middle America never woulda bought that, right? And it’s almost too geeky to hang the plot on a smashed Star Trek statue. Even for me.
Picture books I’ve been digging lately: Rick Veitch�s epic “Can�t Get No” (reviewed here, buy it here), that aforementioned BPRD book “The Black Flame“, and the latest Fables collection, “Arabian Nights (and Days)“. Glad to hear Bill Willingham announce a new original Fables graphic novel, “1001 Nights of Snowfall“, which arrives in October.
Writer/artist Brian Wood has been getting a bunch of mainstream press this year, thanks to his great work on Vertigo’s DMZ series and his other current books, Local (from Oni) and Supermarket (on IDW). Wizard Magazine spotlighted him back in February (read it here and here), and Entertainment Weekly gave the first DMZ collection, ‘On The Ground’, an ‘EW Pick‘ in its new issue. Local, his 12-issue limited series with Ryan Kelly that sets each story in a different locale, got some love from G4’s Attack of the Show yesterday (video clip here). The series is almost halfway done, with the fifth issue out and the sixth in the works (set in Brian’s current home-base of Park Slope, Brooklyn), and Brian recently spilled the remaining backdrops. In no particular order, we’ll see Ann Arbor, MI, Norman, OK, Austin, TX, and Chicago, IL. Last but hardly least, issue 12 will be set in Burlington, Vermont, our shared childhood stomping grounds. Goes without saying, but I can’t wait to see Ryan Kelly’s take on some too-familiar sites.
Which brings us to the giveaway I promised way back at the beginning of this epic post. Since I just picked up Brian Wood’s ‘On The Ground‘ collection, I’ve got an extra set of the original five issues found within. Brian was here in town recently for a New England Comics signing, and scribbled his signature in the cover of the debut issue, so if you live in the U.S. or Canada, drop me an email (address in the left hand column) with ‘DMZ’ as the subject sometime before Monday. I’ll randomly pick a winner of that signed copy (along with issues two through five) and send it along next week . And no, I’ll not ask you to answer some obscure comics trivia question. As a matter of fact, I’d be psyched if they went to a comics novice. Actually, I’d be very surprised if a comics novice made it all the way to the end of this post…
Tomorrow, back to music, with a live set from Scotland’s Camera Obscura.
[Live MP3s]: The Futureheads in Boston 2006
Posted on July 16, 2006 at 11:01 pm | No Comments
The finely-tuned machine that is The Futureheads played the last show of their recent two-week North American tour here in Boston, and the first descriptive word that comes to mind is ‘pro’. Tight, energetic, and well-mixed, the quartet was just plain on, and the near-sold-out Paradise crowd felt it.
It’s far too beautiful outside for me to be sitting here at my keyboard, so for more on the show, I’ll defer to this well-written review from Jay over at Clicky Clicky, who was above me in the balcony. Can’t say that I disagree with a single word he shares, and he also provided a link to some great photos from Flickr user Goodmj3. A few more words and pics can be found over at I Guess I’m Floating.
I’ll be sharing up some live songs from openers French Kicks in the future as well, but for now, here’s the entire Futureheads set for ya. And if you notice a slight amount of audio wavering during a song or two, well… blame the band. I try to remain semi-still when I record, but the Futureheads’ energy made that tougher than ever…
Live at The Paradise
Boston, MA
Saturday, July 1st, 2006
01. intro
02. Yes/No
03. Area
04. Cope
05. Meantime
06. banter
07. Burnt
08. Favours For Favours
09. Hounds Of Love
10. Back to the Sea
11. Stupid and Shallow
12. The Return of the Berserker
13. Fallout
14. A to B
15. Worry About It Later
16. Thursday
17. Skip to the End
18. He Knows
19. Man Ray
20. Decent Days and Nights
21. Carnival Kids
I was hooked on their 2004 debut disc right away (thanks in no small part to ‘Meantime‘), but it took awhile for the follow-up, ‘New & Tributes‘, to really grab me. While the album as a whole wasn’t as immediately catchy, the live show really brought those songs up a notch, and I appreciate it far more since.
Some F’heads links…
mp3: ‘Worry About It Later‘ (vagrant)
mp3: ‘Fallout‘ (679 remix)
mp3: ‘Skip to the End’ (vagrant)
video: ‘Skip to the End’ (vagrant)
mp3: ‘Let’s Dance’ (Bowie cover @ You Ain’t No Picasso)
live video: Their entire 30-minute T In The Park festival set. Great stuff.
After a couple European/UK festival dates, The Futureheads return to our shores later this month for another two-week trip…
7/25 – Philadelphia, PA (Starlight)
7/26 – Toronto, ON (Phoenix Concert Theatre)
7/27 – Detroit, MI (Magic Stick)
7/28 – Columbus, OH (Newport Music Hall)
7/29 – Chicago, IL (Union Park – Pitchfork Music Festival)
7/30 – Minneapolis, MN (Varsity Theatre)
8/2 – Denver, CO (Bluebird Theater)
8/3 – Salt Lake City, UT (Club Sound)
8/4 – Las Vegas, NV (Jilian’s)
8/5 – San Diego, CA (San Diego Street Scene)
postscript: If anyone has an issue with this live set being made available, just say the word (email link on left). Recorded with a Sony ECM-719 mic and a Sony MZ-RH10 minidisc, converted to .wav and then edited to 192kbps mp3s. Mp3s are made available for a limited time, and are not reposted once removed.