[A Special Giveaway] KRISTIN HERSH books, music, + tee
Posted on April 24, 2011 at 11:01 pm | 4 Comments
Here’s a giveaway that’s been very long in the posting… since Autumn, in fact, when Kristin Hersh‘s debut memoir, “Rat Girl” was published in the U.S. and I started putting together this little contest to mark the occasion. Life got in the way, Kristin kept planning more cool stuff I thought I’d wait for, and I kept saying “next week”. Well, next week is now – time to get this very special package in the mail to one of you. Read on (and on) for details on what you could win and how to enter, as I recall my reaction to reading K’s book over a few long-since-passed Fall days…
Sitting here on a barstool trying to write, but I’ve got Kristin Hersh‘s very first book, a recollection of her tumultuous 18th year on Earth entitled “Rat Girl”, sitting on the bar next to me. So I’m torn. Torn because I need to come up with words to accompany this giveaway, but I mostly just want to finish this mind-sparking book. I’m almost finished with it, and it’s the very definition of a “painful-to-put-down” read; not because it’s a suspenseful action-thriller, or course (although there is action – and thrills!) but because you want to know the next thoughts and bits of life-history that will tumble out of her once-upon-a-brain. Pages full of striking words, perfectly-insightful little mineral deposits that start as small piles and build towards major claims. Infinitely rewarding when you cash in.
Anyone who knows me in real life, or knows me from the over-sharing I’ve done on this site, knows of my deep appreciation for the songwriter, guitarist, and human being that is Kristin Hersh. I could gush, though I’ve done plenty of that. I could share stories of how she has both directly and indirectly impacted my own lifestory, but I’ll refrain. Simply said, she means an awful lot to me, and so does the art she’s been sending into the world for the last 25-or-so years. I’ve been listening to what she has to say, mostly in lyrics backed by exceptional music, for a couple decades now, half of my own life. Her words rarely fail to reach me, even when near-indecipherable or too obtuse to decode. Even her between-song-banter at live shows strikes a chord in me, revealing someone with a remarkable ability to toss thought-provoking gems into a crowd.
It’s much more recently that I’ve felt the power of those words when they stand on their own, through her own blog posts or when guesting on other sites around the web. I always thought she might have one hell of a good book inside of her, and whaddya know, she damn well did. It exists in “Rat Girl”, and for example, here’s one of my favorite parts so far, about Betty Hutton, a one-time bonafide Hollywood Movie Star ™, who Kristin befriended in college…
“Betty grew up in the golden age of Hollywood, back when movies were Broadway on film, so her idea of music is ‘singing as entertainment,’ and you can’t call what I do singing or entertainment. I hiss and yell and wail. Sometimes I make seagull noises, unfortunately. Music is something I have almost no control over. Like well-rehearsed Tourette’s.
When Betty sings, she sits at a piano and says lovely things about hope and broken hearts. I often sing phonetically, as if I don’t speak English. The words climb out of my throat and into my mouth. Then I have to spit them out.
Betty sings about starlight and champagne. I sing about dead rabbits and blow jobs. When I say playing music is owning violence, she says it’s owning love; when I say it’s math, she says it’s tap dancing; when I say it’s my gun, she says it’s her dance card.
I’ve also noticed that she sings notes that go with the chords in her songs. I have yet to do that. It sounds pretty when Betty does it; it sounds boring and goofy when I do it. So I make up new notes, ones that don’t belong anywhere near the chords I’m playing, and I sing those. People must think, It’s so nice of them to let that deaf girl sing.”
Kristin’s relationship with Betty is perhaps the heart of the book, and it’s got a very strong beat. Betty comes and goes during that long year, but mostly she stays, with Kristin and with you, and with me long after the you’re done reading. It’s a life-altering connection between to very different souls, and it speaks fiercely. There’s so much simply beauty in it to be found…
Betty: “Aren’t movies wonderful? Beautiful people living beautiful lives.”
Kristin: “For seven bucks? They’re just pretending. I’d rather watching real people living real lives for free.”
That’s what this book gives you. Real Lives. And for longtime fans of Kristin’s first band, Throwing Muses, there are little easter eggs – not-so-hidden surprises that pop-up during Kristin’s story – that will no doubt make you smile. Within the memoir’s very first paragraph, she writes about a cross hanging the wall of an apartment she used to crash in, and a Jesus nailed to it with fish-like scales. A song will come into your head…
“I have a fish nailed to a cross on my apartment wall.”
For Muses fans, that’s a seminal line, from the band’s “Fish“. It immediately reveals that Kristin lyrics, as unearthly as they often felt, were very much grounded in her own very surreal world.
Later in the book, a sidewalk talk with a mohawk-sporting, tie-wearing, pamphlet-wielding kid on a Providence street corner. As their conversation, and Kristin’s recounting of it, starts to include phrases like “smack freak” and “blame society” and “the holocaust”, you’re suddenly inside the beautiful genesis of a major piece of Muses history – the birthplace of the disturbingly anthemic “Hate My Way“. Reading that page gave me chills.
It’s not just the Throwing Muses ephemera that connects, though. If you’re not yet a fan, but a fan of music, there’s much more to be found. Little pearls of wisdom within…
“I don’t listen to much music. The more you love music, the less music you love, ’cause you get picky — we take our religion seriously. Bad music is angrifying and good music is so painfully intense.”
Last July, I wrote about Kristin’s wonderful art-book/album combo, “Crooked”, previewed the arrival of “Rat Girl”, and mentioned a bunch of other recorded projects she had in the works. I also said something to the effect of “2010 is a great year to be a Kristin Hersh fan”, not knowing that 2011 would be equally rewarding, maybe moreso.
And so, in honor of the remarkably productive phase that Kristin finds herself in, I’m pulled together a bundle of greatness to pass along to one reader…
What you see above is a copy of the “Crooked” album/book, along with copy of “Rat Girl” that Kristin signed, the debut disc from her rock trio 50 Foot Wave, and a limited-edition (and long-since unavailable) t-shirt commemorating Kristin’s 2007 live appearance at the Brattle Theatre with her longtime bandmate, step-sister, solo artist, and former Belly frontwoman, Tanya Donelly.
If you want a shot at having all that merch in your mailbox, send an message to giveaways [at] bradleysalmanac [dot] com with “KH” in the subject line. Include your full name and city of residence (North American residents only, unfortunately), and get it to my inbox before next Monday evening, May 2nd, at 5pm. That’s when I’ll pick the winner and contact them for a mailing address. Simple as that.
For more on Kristin, “Rat Girl”, and her ongoing musical output, here’s a wealth of links…
Kristin has been doing multimedia performances for “Rat Girl” (titled “Paradoxical Undressing in the UK), and you can watch an 8-minute trailer / short-film that gives you a taste of both the performance and the book. The U.S. premiere of this spoken word/music/video took place earlier this month at The Getty Center in Los Angeles, so I’m hoping an East Coast / Boston edition is in the works (Brattle? ICA?). If you remain unconvinced that you should be reading “Rat Girl”, this might do the trick: Read the book’s introduction and first 3 chapters thanks to Penguin, Kristin’s U.S. publisher. Order it straight from them while you’re there, or pick it up from Amazon. Yes, there’s a Throwing Muses album in the works, and you can download a whole bunch of K solo demos at the Throwing Muses’ CASH Music site. The album is entirely fan-funded, and you can make a donation while you’re over there. Here’s one of my favorites – can’t wait to hear what drummer Dave Narcizo and bassist Bernard Georges add to this track… Kristin and Throwing Muses have been releasing, for free, very special aural accompaniments to “Rat Girl” entitled The Season Sessions. These are old Muses songs, entirely re-recorded as acoustic versions, released in batches each season. Fall, Winter, and Spring so far, one remaining. Something this unique probably deserves a ‘Nac post all its own, and it speaks to how much K has going on that it has become just a footnote to this one. Pick up the gorgeous artbook/CD edition of her most recent solo album, “Crooked”, from the Book Depository, or get the disc alone straight from her Throwing Music site. Here’s a track from it… K’s trio 50 Foot Wave has been rolling along as well, and lucky us, they’ve decided share their most recent work, “With Love From The Men’s Room”, via CASH Music as well. The album is being released track-by-track on their site, with the first two (“Radiant Addict” and “Grey“) already up and ready to grab. Here’s Part 1… New online literary magazine User Furniture Review posted an excellent interview with Kristin last month, so take a read and have a look around the rest of the site while you’re there. Well worth exploring. More Rat Girl-related press / interviews / reviews at the Huffington Post, KEXP (which focuses on the book’s fantastic Gilbert Hernandez cover), the Boston Globe (review / interview), NPR (which has audio and another excerpt from “Rat Girl”). Last August, Kristin visited the Manhattan Barnes & Noble for their Upstairs on the Square series, and you can watch the entire hour-long reading / performance / interview. And finally, check out a very recent video interview with Kristin courtesy of the just-launched Rock Book Show website.
Alright, get with the emailing – this present needs a happy home.
[This Saturday!] IDA at Cambridge’s Brattle Theatre on 4/16
Posted on April 13, 2011 at 12:50 pm | 6 Comments
Despite the fact that my posting frequency here on the ‘Nac has taken a relative nosedive over the past couple years, I’ve still been doing a fair share of show-organizing on the side. Nothing crazy, no huge shindigs that might label me a ‘promoter’ or whatever, but more the kinds of random music-related events that pop up and need a host or a helping hand. There was that Pains of Being Pure At Heart album release party a couple weeks ago, David Bazan playing in my living room last weekend, my imminent return to the DJ booth at River Gods, and the sure-to-be-great New England debut of the Austin-based Karaoke Underground at TT’s in May.
But nothing I’ve had a hand in setting up excites me more than what’s happening this weekend: Ida is back, and they’re playing at the Brattle Theatre in Harvard Square this Saturday.
In my all-time top 10, Ida sits high. Their early Simple Machines 7-inches, striking full-length records, transcendent live shows – over the past 15-ish years they’ve affected me deeply. In particular, the album “I Know About You”, which arrived during a pretty rough time in my life and helped me make it through. The emotional connection I made to the band during that period guaranteed a fan for life, or at least until they stopped making music… and I’m infinitely grateful that time has yet to come.
The core of the band has almost always been Elizabeth Mitchell, Dan Littleton, and Karla Schickele, with a small and very talented supporting cast of drummers (Dan’s brother Miggy in the early years, and most recently Ruth Keating) and string players (including artist Ida Pearle and current member Jean Cook). Over the past five years or so, Karla’s involvement has been a bit less frequent, while married couple Dan & Liz continue on with random and all-too-rare Ida appearances between what has become a fast-growing concern: Liz’s career, with Dan’s involvement, as a truly wonderful childrens musician. As their own daughter Storey has grown, Liz and Dan have have brought the sincerity and soulfulness of what they are as Ida to kids everywhere, easily steering clear of the all-too-common cheesiness and condescension that such artists often frequent in. As the dad of an almost-4-year-old, their presence on my son’s life-starting-soundtrack is a gift.
Making a short story short: After Liz, Dan, Storey, & friends brought their kid’s music set to a sold-out Club Passim last November, we got to talking with them about larger, more suitable places they could play next. Amie suggested the Brattle, Liz’s reply was “Let’s do it!”, so I put them in touch with the theatre’s Ned Hinkle, and lo and behold, there’s another kid’s show happening: This Saturday, April 16th, at 11am, Elizabeth Mitchell and the band she calls You Are My Flower (the title of her very first children’s album from 1998) will bring their very special songs to a crowd of parents and little ones, including us and our Brendan.
The fact that Liz, Dan, & co. will then return to the Brattle stage later that day to play a (hopefully lengthy) set of Ida songs is, well, a minor miracle. It was on a wishful-thinking whim that I wrote to Liz, while getting her in touch with Ned, that “Hey, y’know, maybe you could play an Ida show while you’re in town”… never thinking that would actually happen. Well, it is happening, and not only that – they’re bringing the absolutely amazing Tara Jane ONeil (Rodan, Retsin, The Sonora Pine) along with them, and have invited Boston’s own Drew O’Doherty to open as well. We’re getting an honest-to-goodness present this weekend, and Mr. Hinkle had better prepare himself for a bear-hug.
From a 1997 7-inch, here’s the original version of “Maybelle“, which was rerecorded for the “Will You Find Me” full-length…
Parents, pick up your tickets to the Saturday morning kids show featuring Elizabeth Mitchell and You Are My Flower with local opener Barbara Brousal online right here.
Everyone else (or parents who have secured a sitter like we have), make sure you get tickets of your own to see Ida on Saturday night over here. And get this: The band is taking setlist requests at their Facebook page. I just put in my vote for “Maybelle“. Couldn’t resist.