[Nutshells] Boston-Area Shows, Mint Mile, Eric’s Trip, Mineral, John Vanderslice, and Strange Passage

Posted on January 8, 2019 at 3:49 pm | No Comments

Oh, hi. Remember me? Let’s see, now where was I?

How about a quick ‘nutshells’ post – in which I share a handful of short, sharp shots of info (and songs? tour dates? random thoughts?) that have hit me recently. The frequency? Probably random, though I’m hopeful for weekly at a minimum. New year, new energy, new ambition, etc. Also, I need to prepare for the day that someone (hopefully) burns farcebook to the ground. Scorch those servers, begin anew. End pre-ramble. Commence content.

New and/or notable shows from the right-column Boston-area list: Guided By Voices are back! Their show at the Sinclair last October was glorious, and they’ll return to their regular stomping ground (kicking stage?) at the Paradise on Friday night, May 17th. No link to tickets yet, but they’re on sale this Friday, so set yourself a reminder (yes, the new album totally rules).

Newly added: The weekend before GBV, Graham Parker hits City Winery Boston. Tickets for his May 11th stop go on sale to the general public next week. Japanese Breakfast returns to the area for a show at the Royale on April 6th (tix on sale this Friday, sold out shortly after). Oh, and you got your tickets to see the Beths with Bad Bad Hats at Brighton Music Hall in February, right? I am so into that Beths record, can’t wait.

This coming weekend has a couple stand-out, artist-packed benefit shows that couldn’t be more different, yet both deserve sold-out status: Friday night’s “NOT ANOTHER WASTED NIGHT: A benefit for Chris Doherty of Gang Green” at the Paradise and Saturday’s “ONE NIGHT BAND” benefit for Zumix.

One Night Band brings together 40 area artists on Saturday morning, divvies them up into eight new 5-member pop-up combos for a day of rehearsal, and throws them on stage for their debut that night. It’s a frenetic, joy-filled blast (and a hell of a lot of work behind the scenes) and all for an exceptional cause: Fostering a love of music-making in kids. Read more about it at the Herald, and grab tix here.

Friday’s “Not Another Wasted Night” unites a ridiculous lineup of area punk rock luminaries to help Gang Green’s Chris Doherty with expenses related to a stroke he suffered recently. We’re talkin’ Slapshot, Tree, the FUs, the Outlets, Lemonheads’ Evan Dando, Dogmatics, Springa, Unnatural Axe, White Dynamite, & Worm. Get your earplugs ready and snag tickets here.

Christmas came and went, and with its passing came a brand new track from Tim Midyett’s (ex-Silkworm/Bottomless Pit) solo project Mint Mile titled, uh, “Christmas Comes and Goes“. MM released one of my favorite EPs of last year (full post of that stuff in the draft folder), and this new song previews a record that will likely end up on this year’s list: A double LP (!) called “Ambertron“. Stay tuned for release and pre-order info at some point from the Comedy Minus One label. For now, put this in your ears…

A super-sweet surprise from Eric’s Trip showed up on member Rick White’s Bandcamp over the holidays — a never-shared digital version of a never-released 1992 full-length cassette titled “Listen“. Seems the band wasn’t totally happy with the audio quality at the time, and some re-recorded versions ended up on 1993’s “Peter” EP (though accidentally at a shifted pitch). This archival release gives us the songs as they were originally intended, and it’s a real treat, some 27 (!) years later. Here’s one of my faves from the album…

Mineral‘s recorded return comes in the form of two new tracks, the second of which was unveiled a few days back. “Your Body Is The World” follows the previously-shared “Aurora“, both of which can be found on “One Day When We Are Young: Mineral at 25″ , a commemorative release that includes the two-song 10-inch along with a hardcover book of “never before seen photos, an in depth band history, and contributions from members of members of Jimmy Eat World, Get Up Kids, and more.” It officially came out on Friday, so grab your copy (or just the digital tracks) through Bandcamp.

The band heads out on a month-long 25th anniversary tour this week, and will hit Allston’s Brighton Music Hall with Tancred on Sunday, January 20th. Tickets here.

John Vanderslice, who has been easing back into playing live again with intimate living room shows around the country (including, uh, my own) will very shortly announce his recorded return (a new shared song momentarily, an LP in the Spring, and a rarities collection later), but in the meantime he’s put together his own playlist of “JV Essentials”. It serves as an excellent primer for the uninitiated, so if that’s you, stream the Spotify embed below, or hit this Apple Music link. And keep an eye on his FB page for that new track this week

I don’t know a whole lot about Somerville’s Strange Passage beyond the fact that they put out an EP a couple years back and, well, they’re from Somerville. But I do know that I’m totally into the first song they just shared from their upcoming full-length. “Shouldn’t Be Too Long” is the title track off the LP that arrives January 25th via Syncro Systems, and they’ll be playing a record release show at the Greek American Social Construction Club in the ‘Ville on February 1st with Longings, Mini Dresses, & Laika’s Orbit. I am officially compelled to attend. Hear why…

I did it! I wrote an actual Almanac post. That’s no small feat, and if you’re an living, breathing human being sitting there reading this, well, that’s even more of a personal shock. I honestly am intending to make this more of a regular thing – self-discipline has been hard to come by lately, and having to learn the new wordpress interface sure hasn’t helped any.

While 2018 was an unusually quiet year on the actual ‘Nac, my FB page and Twitter feed kept chugging along, and the shows list on the right was kept current(ish), so it’s not like I completely abandoned the ship. Just put her in dry dock for awhile. But she’s back in the water, and the wind is picking up.

Now back to working on the ‘faves of 2018’ post. If my goal is to get it up sooner than last year’s, well, I think I’ll be just fine.

[Nac Faves] My Favorite Music of 2017

Posted on April 2, 2018 at 10:00 am | Comments Off on [Nac Faves] My Favorite Music of 2017

Ah, the best laid plans and the most brutal excuses. My honest intention to get this sucker done before the new calendar year hit was derailed by a major bout of holiday pneumonia, then as December disappeared in a fevered haze and I gathered myself to finish in January… enter ye olde influenza! Such an enjoyable one-two punch. My immune system certainly isn’t going to make anyone’s “best of” list.

February was spent catching up on the day job and re-familiarizing myself with my family, and next thing you know, it’s mid-March. Then, naturally, the ‘Nac goes down for a week. As I wrap this thing up and April begins, my headphones are overflowing with music that will wind up on the 2018 edition. Good thing I’m on nobody’s deadline but my own.

So, yeah, another year long gone, another later-than-everyone-else list of musical favorites shared. Full lengthers, short players, and a few other random releases from throughout 2017. The silver lining of all that sickness was tons of idle time spent listening to neglected records, and deeper dives into the ones I loved. The list kept getting longer.

As you scroll, stream a Soundcloud playlist of songs from most of the releases below, or if you must, a longer one on Spotify, and use the provided label links to buy these records as direct as you can. Give these song makers, and the ones you love, your hard-earned dollars. #IRespectMusic

If you make it all the way through this too-long run-down (or, y’know, just skip to the end right now), you’ll find a few special giveaways I’ve gathered for random readers – the vinyl release of one of my favorite 2017 LPs, a gift certificate to a Boston-area used record shop, and an autographed copy of a truly moving book by one beloved artist about another gone too soon. So drop your name in my virtual hat and take a shot. Ya spin the wheel, ya take yer chances.

For the curious and/or bored, my previous faves lists: 2016 & 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2005, 2004, 2003, 2002, & 2001.

Favorite LPs of 2017

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Alvvays
“Antisocialites”
[ on Polyvinyl ]

One undeniably catchy, infectious-insta-classic track surrounded by a collection of solid indie-pop songs, much like their debut LP. It may lack the ‘wow’ impact of their self-titled record, but that first breath of Canadian air was so fresh they can hardly be faulted.

[ Stream the LP on Bandcamp / Buy direct from Polyvinyl ]

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Andrew Cohen & Light Coma
“Unreality”
[ on Comedy Minus One ]

Andrew Cohen adds a fruitful collaboration with pals Light Coma to his post-Silkworm discography, mixing full-band songs with a few solo jams. His SKWM/Bottomless Pit bandmate Tim Midyett continues under his Mint Mile moniker in parallel (new EP just showed up in the mail!), so even if their time of teaming up is behind them, I’m grateful their separate songs keep on coming. Getting to premiere a track from this AC&LC record was a genuine honor, and traveling out to Chicago to see them play (with Mint Mile, Out, & the Rutabega) was a personal 2017 high point.

[ Buy direct from Comedy Minus One ]

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Julien Baker
“Turn Out The Lights”
[ on Matador ]

I was embarrassingly tardy for the Julien Baker train, but wow, did I ever jump on board. This, Hhr second full-length, absolutely floored me – her open-hearted lyrics and sparse, beautiful arrangements hit me hard. There was no single song in 2017 that moved me more than “Sour Breath”, which I played over and over and over again, both in my headphones and in my head. I couldn’t make it to her most recent Boston show, and her upcoming appearance at the Boston Calling fest won’t be enough to satisfy, so I’m heading up to Vermont soon to see her play with Tancred, another fave. And I’d travel further for that team-up if I had to.

[ Buy direct from Matador ]

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David Bazan
“Care”
[ on Undertow ]

Following David Bazan’s career for so many years has been a singular, surprising joy. No, the joy itself hasn’t been a surprise, but the sonic turns he’s taken sure have been. From his full band Pedro the Lion output, his synth-based Headphones record, through his solo electric and acoustic work, and now “Care”, his most recent guitar-free solo LP, I’ve been all-in for all of it. Less than a year later and he’s back to working on Pedro the Lion songs, and I couldn’t be happier, though it does take a bit of the “what will he sound like next?” mystery out of it. Feels like we’ve gone full circle, and the thought of PtL’s scheduled Boston show has got me giddy.

[ Stream the album on Soundcloud / Buy direct from Undertow ]

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The Clientele
“Music for the Age of Miracles”
[ on Merge Records ]

previous release, expanding their sonic palette with the addition of collaborator Anthony Harmer on a variety of instruments (including the distinctive santur). It’s one of their most cohesive records, and all-the-more appreciated in that it may never have happened but for the chance re-meeting of Harmer and frontman Alasdair MacLean, and a spark of inspiration. May some special kind of spark strike again.

[ Stream the album k on Soundcloud / Buy direct from Merge ]

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Allison Crutchfield
“Tourist In This Town”
[ on Merge Records ]

A banner year for each of the musical Crutchfields, with Merge releasing both Allison’s ace solo album and sister Katie’s killer Waxahatchee record (see below, of course). If they were trying to outdo each other, well, let’s call it a tie that we all won. Can barely believe I’ll be seeing Allison and her Swearin’ bandmates later this week when they open up a long-sold-out Superchunk show at the Sinclair. Wonder if they’ll do a song or two off this LP, or keep things separate? Either way, I’m walkin’ out happy.

[ Buy the album direct from Merge ]

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Mark Eitzel
“Hey Mr Ferryman”
[ on Merge Records ]

I’ll buy anything Eitzel, but this LP feels more inspired than his last few full-lengths. Really glad he made the move over to Merge and that this album seemingly got some added attention – be nice to see that relationship stick and produce a string of equally solid records. The world sure needs more Mark.

[ Buy it straight from Merge ]

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Jeremy Enigk
“Ghosts”
[ on Lewis Hollow ]

The wait for this one seemed long, but so worth it. Part of the reason it felt drawn out was that the former Sunny Day Real Estate frontman gave us a window into the creative process with his Pledgemusic campaign, and that window opened early. From conception through studio time, previews to pressing, the project took over 2 years from start to finish, resulting in a beautiful, multi-layered collection. Enigk has such a singular voice that the production needs to be epic, and the fan-funds he gathered allowed him to make that happen.

[ Stream and buy the album at Bandcamp ]

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Girlpool
“Powerplant”
[ on Anti Records ]

It’s been a joy to see Girlpool’s relatively speedy rise from a basement-playing pair to a Paradise-packing full band – my nervousness that they’d lose something special by fleshing out their sound with bass & drums was mostly unfounded, and this record proved it. Admittedly, I’d love to see them as a duo again someday, but as long as they keep writing their heartfelt songs and singing those perfect harmonies, I’ll keep going regardless.

[ Stream the full album on Bandcamp / Buy direct from Anti ]

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The Just Joans
“You Might Be Smiling Now”
[ on Fika Recordings ]

I kind of feel like this one flew under too many radars, but that could just be my Stateside-perspective. I owe my appreciation of these particular Scots to my bandmates, so this is the first of their releases I’ve been able to eagerly await, as it’s been ages since their last. Thankfully, and unsurprisingly, it’s another indiepop treasure. Just wish they were playin’ Indietracks this year, as it’s the first one I get to attend (!). Maybe they’ll be hangin’ around so I can pester them to play me a song or two. After I partake of some liquid courage.

[ Stream three more tracks on Soundcloud / Buy direct from Fika ]

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Land of Talk
“Life After Youth”
[ on Saddle Creek ]

Most appreciated musical gift of the year: Elizabeth Powell’s glorious recorded return. Her band has become one of my absolute faves over the past decade, since the moment I first set ears upon 2008’s “Some Are Lakes”. Her second full-length came less than two years later, and then… nothing. She seemingly disappeared, but I never stopped waiting, hoping, and searching for word of a return. Every year I’d write one of these favorites lists and wonder when her next LP would wind up on one. So here we are, with “Life After Youth” at last. Pretty sure I played it more than any other album I bought in 2017, and was grateful for every single note.

[ Stream the whole LP on Soundcloud / Buy direct from Saddle Creek ]

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Ted Leo
“The Hanged Man”
[ on SuperEgo Records ]

Speaking of more-than-welcome returns, Ted came back! Well, it’s not like he left. Solo shows, duo shows (with Aimee Mann as the Both), variety shows (I seem to remember him on stage wearing only a giant diaper at some point?), just no proper TL/Rx recordings since 2010’s “The Brutalist Bricks”. That’s a long time to go without a new release, but thanks to a wealth of fan funding and a trove of gathered songs, he presented us with “The Hanged Man”. The band he assembled to deliver these new tracks (and so many older faves) was a stacked powerhouse, and I’m not sure I had more fun at a show last year than I did when they played Brighton Music Hall in September. A total blast of an evening. I expect no less when Ted & co. return for two nights in June.

[ Buy it straight from Ted’s shop ]

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Lo Tom
“Lo Tom”
[ on Barsuk Records ]

In my world, a super group if ever there was one. David Bazan, his ex-PtL bandmate (and fellow faves listee) TW Walsh, Jason Martin (aka Starflyer 59), and ace drummer Trey Many (His Name Is Alive & more) got together a few times and threw together a rock-solid record that was the perfect counterbalance to Dave & TW’s decidedly-more-digital solo releases.

[ Stream another track on Soundcloud / Buy direct from Barsuk ]

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Jason Loewenstein
“Spooky Action”
[ on Joyful Noise ]

Just the second solo LP from this Sebadoh co-pilot since his killer 2002 debut, “In Sixes and Sevens”, an record that blew me away and set one hell of a high bar. After what feels like a lifetime ago, he damn well mighta reached it. Another crackling collection of tweaked-out, propulsive rock songs. Bad timing and poor planning meant I missed him play these tracks live, but I’m hopeful it won’t be too long until I remedy that, and that it won’t be another 15 freakin’ years until album number three.

[ Stream the entire LP on Soundcloud / Buy direct from Joyful Noise ]

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Loney Dear
“Loney Dear”
[ on Real World Records ]

Sweden’s Emil Svanängen may take his own sweet time making records, but it has never resulted in one I haven’t loved. He harnesses a special kind of magic in his songs, laying his strong yet delicate voice over carefully-constructed emotional epics. I owe a great debt to Low for bringing him and his band (with Thor!) along to open their 2008 tour. I’ve been in love with Loney Dear since the first note of that first song at the Somerville Theatre.

[ Stream another track on Soundcloud / Buy direct from Real World ]

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Makthaverskan
“III”
[ on Run For Cover Records ]

Ridiculously talented Swedes making noise that’s both new and nostalgic, combining elements I love (and frankly should be tired of by now) into their own goosebump-raising mixture. I love my Allston neighbors at Run for Cover for many reasons, but helping this band get their music out into the world may be the biggest one.

[ Stream the LP on Soundcloud / Buy direct from Run For Cover ]

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The New Pornographers
“Whiteout Conditions”
[ on Concord Music Group ]

The New Pr0ns fully embraced their inner-ELO and ponied up some of their most infectious songs in years, including the one that incessantly soundtracked my Spring, “This Is The World Of The Theatre”, which survived a ridiculous amount of repeated listening and remains a forever fave. Those post-chorus Neko notes? Super swoon.

[ Buy direct from Concord ]

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The New Year
“Snow”
[ on Undertow ]

Any release from the Kadane brothers and their compatriots is a gift, and this new LP is no different. Another chapter in the ongoing sonic story I’ve been obsessed with since I first heard Bedhead in the early 90s. The only negatives I can ever muster are “I wish this track was longer” or “I wish there were more songs”. Complimentary complaints if ever there were.

[ Buy direct from Undertow ]

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Tara Jane ONeil
“Tara Jane ONeil”
[ on Gnomonsong ]

TJO returns with a self-titled LP of authentic beauty, full of gorgeously delicate, emotionally heavy songs. It’s such a pure, natural-sounding record that using her name for the title makes perfect sense – it serves as a songwriting mission statement for everything she does so, so well.

[ Stream the whole album on Soundcloud / Buy direct via Midheaven ]

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Palehound
“A Place I’ll Always Go”
[ on Polyvinyl Records ]

Seems like each year there’s at least one Boston-based band I adore that makes a measurable, well-deserved jump to wider recognition, and 2017 felt like Palehound’s year. “A Place I’ll Always Go“ was a showcase of Ellen Kempner & co’s song-building talents, adding further depth to the promise shown on their 2015 debut.

[ Stream the album on Bandcamp / Buy direct from Polyvinyl ]

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Quicksand
“Interiors”
[ on Epitaph Records ]

How the hell did Quicksand take a 22-year break and return with an LP that sounds as cohesive and powerful as they ever were? It’s like no time passed at all. A ridiculous and remarkable accomplishment. Side note: This damn record nearly got me a speeding ticket.

[ Stream more tracks on Soundcloud / Buy direct from Epitaph ]

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Ride
“Weather Diaries”
[ on Wichita Recordings ]

These four Oxford gents comprise one of my top ten all-time bands, so their 2014 return was an unexpected, magical gift. Their post-reunion live shows met and crushed my tempered expectations, then rumors of new recordings got me all-sorts-of giddy. Maybe too giddy. While I enjoyed “Weather Diaries” enough to list it here (and it certainly outdoes their final two LPs), it didn’t quite hit the sweet spot I hoped for. Much of it is ace, and there’s at least one stone-cold Ride classic (“Cali”), but I can’t help but think it would have made an absolutely killer EP. Speaking of which, they just released a new one. And that sweet spot? Nailed it.

[ Stream the LP on Bandcamp / Buy direct from Wichita ]

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Savak
“Cut Ups”
[ on the Ernest Jenning Record Co. ]

A mid-2016 discovery for me, thanks to my faith in the fine taste of the CMO label, though I’ve heard and dug plenty of songs involving the individual players before. These members of Obits, Edsel, Ted Leo’s band, The Cops, Nation of Ulysses, Enon & more combined to release their debut LP that year, and quickly followed it up with this even-better collection on the EJRC in 2017. A record per year is quite a precedent, gents. Might hold you to it.

[ Stream the whole album on Bandcamp / Buy direct from Ernest Jenning ]

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Slowdive
“Slowdive”
[ on Dead Oceans ]

Even more unexpected than Ride’s return was the resurrection of my/our beloved Slowdive. While Ride’s legacy was a tad tarnished by their last pre-breakup recordings, Slowdive went out on an incredible high note with the bliss-filled, ahead-of-its-time “Pygmalion” LP in 1995. Getting to hear live renditions of the songs on that record was something I’d never hoped to dream of, so when they came back and did just that, it left me stunned (not ashamed to say my eyes welled up during the crescendos of “Blue Skied an’ Clear”, every time). New studio recordings, too? The swirly frosting on top. The fact that they pulled together an album that can sit proudly within their existing discography, with songs that fit seamlessly into their live set, is no minor victory.

[ Stream another track on Soundcloud / Buy direct from Dead Oceans ]

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Swale
“There’s No One Here”
[ on Swale Songs ]

Doing my hometown proud. It’s convenient when people you know put out a record you love, since it saves you from either avoiding the topic or offering vague compliments. These four Vermonters have that rare ability to fold a bunch of styles into their songwriting while remaining unmistakably themselves. Each song on this LP sounds like a Swale song, though they don’t often sound like each other, and it all comes together as a cohesive whole. That was some Kickstarter cash well-spent.

[ Stream the record on Soundcloud / Buy direct via Bandcamp ]

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TW Walsh
“Terrible Freedom”
[ on Tower of Songs ]

Timothy William Walsh’s latest LP is a triumph not just because of his songs (which are as solid as ever), but the impeccable production they’re wrapped in. He’s dialed back the guitars, using them as a tool rather than a base, and leaned more into synths and programming – yet ended up with his most soulful, natural sounding record so far. There’s a definite 70s vibe (a bit of Gary Wright, a dash of Gerry Rafferty, even a hint of early Peter Gabriel), but it’s more update than homage, avoiding nostalgic traps with meticulous ease. TW’s years of experience in mastering, mixing, and song-writing collaboration (in the Soft Drugs & Pedro the Lion) come together here effortlessly, and he’s already given us more: He recently offered up an excellent new song and accompanying video called “Born Hungry”.

[ Stream & buy the LP through Bandcamp ]

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Waxahatchee
“Out in the Storm”
[ on Merge Records ]

The other half of 2017’s killer one-two Crutchfield combo, Katie’s record wastes no time letting you know her band’s gonna get a little loud this time out, the opening track starting in full-on rock mode with zero warning. It’s the perfect palette-cleanser, and readies you for the range of songs that follow – short, sharp slices of energetic indie-pop interspersed with moments of true, introspective beauty, all held together by her gorgeous voice and uncanny knack for melody.

[ Stream the whole thing on Soundcloud / Buy direct from Merge ]

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Weather Weapon
“II”
[ via Bandcamp ]

Longtime area art-maker Gilmore Tamny once again showed us her sonic side with the second long player from her scrappy Somerville-based trio. Owing a clear debt to early-90s Pacific NW indie-punk, she kept the formula straight-forward – rock out with your guitar out while delivering evocative, literate lyrics as drummer Steph Melikian (Operators/GRCB) and bassist Jen Godfrey hold it down. As if a record that gives a shout out to Market Basket wasn’t going to end up on this list? I mean, come on.

[ Stream & buy on Bandcamp ]

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Favorite Short-Players, Reissues,
& Web-Only Releases of 2017

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Funeral Advantage
“Please Help Me” EP
[ via The Native Sound ]

Tyler Kershaw has that rare ability to write sparkling songs that sound uplifting while tackling some heavy, personal lyrical subject matter (a la Bobby Wratten of the Field Mice). His reverb-drenched guitar lines, melodies, and dynamic arrangements come together so well, and since I first heard their 2015 full-length, this band has become not just a Boston-area fave, but a fave period.

[ Stream the EP on Bandcamp / Buy direct the Native Sound ]

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Gregory and the Hawk
completion of “On The Orange Mountain”
and continued creations
[ via Patreon ]

While most of Meredith Godreau’s doled-out, 10-song collection “On The Orange Mountain” was created and shared in 2016 (and made my faves list last year), it officially wrapped up last May, so I’m including it again. Lucky for us, the creating continues, as noted in a post-OtOM Patreon update: “In the past few months I have missed completing songs and making videos for you. So much so that I’ve decided to continue using Patreon to share my upcoming creations with you, not to limit my experience to just the one album.” So far we’ve heard “My Own Good”, posted in November, and hopes remain high for more this year.

[ Support GatH’s continued artistic output through Patreon ]

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Hüsker Dü
“Savage Young Dü” vinyl box set
[ on Numero Group ]

I mean, what can I write about this? It’s a box set of Hüsker Dü’s early recordings. Keep doing what you do, Numero Group.

[ Stream the collection at Bandcamp / Buy direct from Numero ]

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The Magic Words
self-titled remastered compilation
[ via Damnably ]

Compiling two solo releases from Wussy’s Lisa Walker, one first released in 2006 (when this was all recorded), and the other in 2015. A must-own for Wussy fans.

[ Stream the collection & buy on Bandcamp ]

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Spook the Herd
The “Minor Tweaks” EP
[ via Bandcamp ]

Released posthumously in mid-December, and recorded in 2015, but it’s great enough to not get lost in the end-of-year shuffle. If you missed it, here’s your heads up. Vocalist/guitarist Abe Kimball is working on a solo record, and Jesse Weiss & Theo Hartlett are working on a new project of their own with Morgan Luzzi. Meet Pet Fox.

[ Listen & buy digitally on Bandcamp ]

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Soft Skies, Inc.
quarterly song releases
[ via Bandcamp ]

Ex-Lockgroove members (and current twin brothers) Marty & Ryan Rex are doling out their latest aural creations in 3-month increments: One song per quarter, like clockwork (new one yesterday!). It’s a unique release style, but if the quality stays as high as the four songs they’re given us so far, I can easily take the 90-day waits. The first track they released, “Your Small Army“, stayed stuck in my head for much of the year, and that’s not a complaint. What a song, and what a way to announce yourself to the world. Keep ’em coming, boys.

[ Listen & buy digitally on Bandcamp ]

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Terry Malts / Kids on a Crime Spree
“Our Love” split 10-inch
[ on Emotional Response ]

Terry Malts have become one of those bands on my “I’ll buy anything they do” list, and the songs they contribute to this split 10-inch are further proof that was a wise decision. More greatness from these West Coast gents, alongside a band I wasn’t familiar with but am now glad I am. And that’s all you can ask from a split record release.

[ Stream and buy the EP at Bandcamp ]

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Transona Five
remastered double-LP compilation
[ on Sonic Surgery ]

A welcome compilation of this Denton, Texas-based combo’s long-out-of-print discography (with some unreleased tracks), lovingly released in remastered, double vinyl form.

[ Stream the LP at BrooklynVegan / Buy from Sonic Surgery ]

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The Wheel & The Alphabet:
A Tribute To Karl Hendricks
various artists
[ on Comedy Minus ONe ]

The world lost a gifted songwriter, and by all accounts a hell of a human being, when Karl Hendricks passed away in January 2017. The Comedy Minus One label rallied KH’s music-making friends and fans for this loving tribute, released just a couple of months later. The strength of the collection is a testament to his talent, and to the impact he had on everyone involved.

[ Stream & buy the tribute on Bandcamp ]

Whew. So that’s finally done.

2018 has started ridiculously strong with great records already out from the Spook School, Superchunk, the Breeders, Buffalo Tom, Lake Ruth, Loma, Field Music, Yo La Tengo, Secretary, and a stellar EP from Ride. Soon enough we’ll be gifted with new sounds from other faves: Belly, Poster Children, Wye Oak, Wussy, and Hop Along. Not to mention recent word of the just-mastered final (sigh) Willard Grant Conspiracy album, in-progress LPs from Kristin Hersh, both solo and with her band Throwing Muses, a very hopeful update on that long-awaited next Wrens’ record, a soon-to-be-announced Eric Bachmann full-length on Merge, and news of an upcoming LP from the re-emergent Flower (!). Wonder if we’ll see one before the long-completed next Versus full-length? I’ll take ’em both, please. Also really looking forward to the first long player from Burlington, Vermont’s Clever Girls, given what I’ve heard so far.

And hey, Numero Group, how about following up those incredible Unwound, Codeine, & Bedhead box sets with a remastered SEAM collection? Just throwing that wish out there into the world.

After sporadic teasing that started in 2016, I’m still anxiously awaiting any news on the potential American Analog Set resurrection front. Though we did get this very promising instagram shot in December, which included the hashtag #weinthestudiodoots (!). What th’?! Have hope, will travel! Seriously. Just tell me where and when and I’m there, AmAnSet. I need you. #bringthatbeatback

Alright, you’ve nearly made it to the end of this thing, so how about some freebies for random (north american) readers? I’ve got three giveaways to choose from…